MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
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Inky slick and the mermaid
SIMON PARSONS is swept away on the running tide of a dynamic new version of Hans Christian Andersen’s fairy tale
FRIEND OR ANEMONE? Liana Cottrill as The Little Mermaid
[Johan Persson]
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
KENNY MacASKILL relishes a fictionalised account of the life and death of the principled Irish anti-colonialist, executed for betraying his English imperial masters
FIONA O’CONNOR admires an ambitious first novel that loosens South Africa’s rainbow collective to examine the racial tensions within
Aussie mining corporation murder, Liverpudlian ex-cop amnesia, a naive vigilante tries to reset capitalism, and the riddle of the dead psychoanalyst
SYLVIA HIKINS is persuaded by an entertaining play that the true miracle of Lourdes would be for attitudes toward disability to change
The Little Mermaid
Bristol Old Vic
BRISTOL have come up trumps with this year’s festive offering, a simplified but gloriously colourful and dynamic ecological version of Hans Christian Andersen’s much loved fairy tale.
The titular character, the only remaining mermaid in an ocean devasted by oil production, sacrifices her subaquatic existence in a desperate attempt to pursue the human who promises some hope for restoring the coral and revitalising sea life.
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SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
WILL STONE relishes the chance to hear the Isle of Wight indie sensation in an intimate setting