Three great releases of lost concerts by Duke Ellington Orchestra, John Taylor & Stan Sulzman, and Joe Henderson
Latest editorial
McFarlane salutes Vaughan
MARK TURNER is thrilled by the the British singer’s tribute to the late great Sarah Vaughan
STRONG SOCIAL CONSCIENCE: Zara McFarlane
[Kaur Ilves/Flickr]
To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Zara Macfarlane
Sweet Whispers
(Eternal Source Of Light)
GIL SCOTT HERON once poked fun at po-faced purists with his release But Is That Jazz? Heron was one of that generation who changed popular understanding of jazz just as had Davis and Coltrane, Gillespie and Parker before them. In the late ’60s and ’70s Jazz bled into other forms of popular music and while arguably it’s more broadly appreciated today, in a variety of forms, there are still those who mournfully proclaim “jazz is dead.”
Similar stories
New releases from Kennedy Administration, Melanie Pain, and Afton Wolfe
New releases from The Dreaming Spires, Bruce Springsteen, and Chet Baker
WILL STONE in entertained, and some, by the Irishman Shobsy and the Dutch/Kiwi combo My Baby
WILL STONE applauds a comprehensive survey of love in its many moods and musical forms