When the ravages of Alzheimer’s leave an elderly woman marooned in painful memories of October 1950, her grandchild comes up with a creative strategy.
Oranges & Stones
Unity Theatre, Liverpool
AS part of the Liverpool Arab Arts Festival, Tamasha and Shubbak presented to a full house the bold and visionary Palestinian Ashtar Theatre’s production of Oranges & Stones, a play without words, told solely through physical action and original music.
On the stage floor, created from alternating oranges and stones, a large circle represents the abode where a Palestinian woman lives plus the produce from her land. She lives alone and appears happy.
Then, without warning, an older man emerges from the dark backdrop carrying a huge, almost empty suitcase, steps into her area of the circle. She is surprised, unsure. Seeing a jug of water, the man wants some. She obliges. He gulps it down, asks for more, continues guzzling her precious commodity, and tries to wrestle the jug from her.
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
SYLVIA HIKINS recommends a fascinating, revealing, superbly acted evening of theatre
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship


