MARIA DUARTE and MICHAL BONCZA review Virginia Woolf’s Night & Day, Familiar Touch, Nino, and Toy Story 5
A Fight Against... (Una Lucha Contra...)
The Royal Court
PABLO MANZI is an internationally acclaimed Chilean playwright achieving many awards with his native theatre group, Bonobo, but this stimulating production marks his English-language debut.
His play is a series of five, thematically connected scenes set in different periods throughout the Americas exploring the relationship between violence, community and communication.
Manzi’s style employs surreal touches in largely naturalistic settings, often with darkly comic effect, in order to isolate his subject. This technique allows him to explore how language connects us when confronting the psychological and emotional impact of violence: a lecturer forced to redefine her description of being assaulted for the sake of explaining it to her perplexed husband, a nationalist, home-defence meeting realising its unifying, violent philosophy is at odds with its members’ personal needs and a hangman losing his job because public executions no longer communicate effectively.
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
ANDY HEDGECOCK and MARIA DUARTE review The Ceremony, Eddington, The Life of Chuck, and The Thursday Murder Club
Despite an over-sentimental narrative, MICHAL BONCZA applauds an ambitious drama about the Chinese rescue of British POWs in WWII


