JAMES WALSH recommends an exceptional documentary about the experience of Western doctors in Gaza
M JOHN HARRISON says that ideas limit storytelling and he is equally unenthusiastic about plot and closure, because replicating the traditional structure and interpretation of stories is to accept the world as it is.
He sees image as a better starting point than philosophy and this is reflected in the 17 tales in Settling
the World. Drawn from half a century of Harrison’s writing, they are crammed with strange and unforgettable images, as in The Causeway, where an interstellar traveller discovers an immense granite structure projecting thousands of miles into the ocean and encounters a lemming-like human procession.
ANDY HEDGECOCK is astonished by a portrait of contemporary Greece, complete with political protest, organised crime and people trafficking, told from the point of view of — wait for it — runaway poultry
SYLVIA HIKINS relishes Jeanette Winterson’s brilliant hijack of 1001 Nights to push aside the boundaries set by others
RITA DI SANTO gives us a first look at some extraordinary new films that examine outsiders, migrants, belonging and social abuse
MARIA DUARTE and ANGUS REID review Friendship, Four Letters of Love, Tin Soldier and The Ballad of Suzanne Cesaire


