DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
YOUTH unemployment, the bleakly laconic title of a newly published volume of photographs by Trish Murtha, belies her creative engagement and interpretative talent.
She was no privileged, middle-class photographer from the south, slumming it among the northern working classes.
She was born and brought up among the children, the teenagers and families portrayed in the book.
GAVIN O’TOOLE is enthralled by the colourful portrait of a woman who pioneered a path into the tough, magical world of journalism
CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
JULIA TOPPIN recommends Patti Smith’s eloquent memoir that wrestles with the beauty and sorrow of a lifetime
If true, the photo’s history is a damning indictment of the systematic exploitation of non-Western journalists by Western media organisations – a pattern that persists today, posit KATE CANTRELL and ALISON BEDFORD


