MATTHEW HAWKINS explores the initiatives proposed by HEALING ARTS SCOTLAND

MATTHEW HAWKINS considers the opening offering at the National Festival of Korean Dance

MATTHEW HAWKINS relishes the literary output of autistic writers, and recommends its insight to readers both including and beyond the community themselves

MATTHEW HAWKINS enjoys the work of reading the essays of a rigorous and leading London/Caribbean cultural participant

MATTHEW HAWKINS contrasts the sinister enchantments of an AI infused interactive exhibition with the intimacies disclosed by two real artists

In search of political understanding, MATTHEW HAWKINS welcomes a critique of anti-semitism as codified by the Israeli state

MATTHEW HAWKINS relishes the valiant defiance of two gay Scottish painters whose example resists both collectors’ taste and historical fiction

MATTHEW HAWKINS unpicks three new shows that deal with historical spectacle, feminism and fascism, and the extinction of species

MATTHEW HAWKINS recommends three memorable performances from Scottish dance artists Barrowland Ballet, In the Fields Project, and Wendy Houston

MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer

MATTHEW HAWKINS applauds a psychotherapist’s dissection of William Blake

MATTHEW HAWKINS enjoys the perverse jocularity, depraved glamour and inner turbulence of the Tate gallery’s tribute to Leigh Bowery