The bard celebrates two other fine practitioners of the art, and laments a lost brewer
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Comics and the counter-hegemony
STEVE ANDREW relishes a survey that sets the genre within a wider social, cultural and political context
The cover of The World's Comics 1, July 6 1892
[Public Domain]
This right-wing conspiracy theory is used to justify the coercive measures against gender, race and labour rights that best serve capitalism, attests GAVIN O’TOOLE
KENNY MONROSE recommends a new exhibition that highlights the significance of Black British music
ANGUS REID is bowled over by an exuberant film about the making of Keith Jarrett’s legendary concert
MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
British Comics: A Cultural History
James Chapman, Reaktion, £15
RECENTLY published in paperback, this entertaining, thoughtful and detailed analysis of British comics from the late Victorian period to the present day is not to be missed. Written with insight and passion, if you don’t see yourself as interested in comic books then this might well be the text to get you started.
And let’s be honest, comics haven’t had a very good press, not just from mainstream commentators but from many on the left. Depicted as the worst of an already low and trashy culture, they have often been labelled violently right-wing, racist and misogynistic so much so that in the late 1940s and ’50s the Communist Party of Great Britain joined hands with some unlikely allies to campaign against what were seen as reactionary and effectively pro-imperialist imports.
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