MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
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Dalston nights to remember
CHRIS SEARLE reviews Rachel Musson and Charlotte Keeffe at Cafe Oto
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
KENNY MacASKILL relishes a fictionalised account of the life and death of the principled Irish anti-colonialist, executed for betraying his English imperial masters
FIONA O’CONNOR admires an ambitious first novel that loosens South Africa’s rainbow collective to examine the racial tensions within
Aussie mining corporation murder, Liverpudlian ex-cop amnesia, a naive vigilante tries to reset capitalism, and the riddle of the dead psychoanalyst
SYLVIA HIKINS is persuaded by an entertaining play that the true miracle of Lourdes would be for attitudes toward disability to change
TENOR saxophonist Rachel Musson, playing at Cafe Oto with drummer Mark Sanders and bassist Olie Brice, creates an adventure with every solo: excitation, lyricism and deep creative beauty.
Her sound spans a century of jazz, from the rococo circles and slap-tongue phrases of New Orleans; the relentless engine of Coleman Hawkins, the vision of Coltrane to the sheer audacity and seamless power of Evan Parker. You can hear it all.
With Sanders’s hearkening, listening and responding drums and Brice’s depth of sonic dance, the trio make precious union, their giving and receiving of sounds making music as it should ever be: co-operative and steeped in all the resources of the blood and brain.
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