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Prague wrestles with public pride in historic socialism
The problem with the National Museum’s exhibition on the communist-governed era is that the public liked it and the values it represented too much — looking at the beggars under the bridge outside, who can blame them, writes JOHN CALLOW
Reliefs cast into 1950s gates show a socialist selection of Czech history

WHEN is a museum not a museum? This is the question that the Czech National Museum poses in its new exhibition, Collections & Politics, exploring the themes and narratives that underpinned the presentation of the past under socialism.

After November 1989, those museums dedicated to the working-class movement and its leaders were closed, while the surviving institutions were overhauled and reconfigured in light of the seismic political, economic, and cultural shift to neoliberalism.

As a consequence, much was lost — destroyed, despised, or sold off to collectors — and what was left of the socialist past was shuttered away in basements and storage units, out of sight, and only brought to mind through “ironic” expositions that thoroughly de-contextualised and frequently mocked the artefacts.

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