MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
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Round-ups 2022: Jazz albums with Chris Searle
Brian Landrus in 2017
[Baritonesaxophoneman/CC]
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
KENNY MacASKILL relishes a fictionalised account of the life and death of the principled Irish anti-colonialist, executed for betraying his English imperial masters
FIONA O’CONNOR admires an ambitious first novel that loosens South Africa’s rainbow collective to examine the racial tensions within
Aussie mining corporation murder, Liverpudlian ex-cop amnesia, a naive vigilante tries to reset capitalism, and the riddle of the dead psychoanalyst
SYLVIA HIKINS is persuaded by an entertaining play that the true miracle of Lourdes would be for attitudes toward disability to change
MY RECORD of the year is the reissue of the marvellous Joe Harriott Swings High (Cadillac Records), originally released in 1967 and created in a session held at, according to Harriott’s longtime Jamaican bass confrere Coleridge Goode, “a pokey little independent studio somewhere in East London.”
Goode continued: “Joe plays so fiercely that at times it seems as though he’s about to blow his alto apart.”
Hear his searing choruses on The Rake or Blues in C, but he plays with a beautiful lyricism too — alongside trumpeter Stu Hamer on A Time for Love, or as the lone horn on Polka Dots and Moonbeams.
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