CHRIS SEARLE recommends a work of love and deep admiration for a great musician
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An exhibit rather than a play
‘Don’t expect a play, or even to know what it was you saw or why,’ is MARY CONWAY’S uncomfortable verdict
Martin Crimp 'defies expectations but leaves us wondering what exactly stands in their place'
[Carla Chable de la Heronniere]
KENNY MacASKILL relishes a fictionalised account of the life and death of the principled Irish anti-colonialist, executed for betraying his English imperial masters
FIONA O’CONNOR admires an ambitious first novel that loosens South Africa’s rainbow collective to examine the racial tensions within
Aussie mining corporation murder, Liverpudlian ex-cop amnesia, a naive vigilante tries to reset capitalism, and the riddle of the dead psychoanalyst
SYLVIA HIKINS is persuaded by an entertaining play that the true miracle of Lourdes would be for attitudes toward disability to change
JAMIE BRITTON recommends this fine analysis of the architectural, ecological and infrastructural destruction of the Gaza Strip
Not One of These People
Royal Court
NORM-DODGER Martin Crimp is an acquired taste. And – as with dry January or veganism – his ardent fan-base seems to grow by the day.
The Royal Court Theatre – evidently one such fan – is presenting his latest offering Not One of These People for four performances only. Clearly hedging their bets, the theatre management aim to please the faithful, while acknowledging that most theatre goers will stay away.
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