DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
Explore Ensemble
(with Lotte Betts Dean):
Suspended Animation
THE second concert of the Glasgow Cathedral Festival was an incredibly moving and hypnotic affair. The two composers Lawrence Dunn and Catherine Lamb have been ascending to stardom at a rate of knots, so to have the chance to have a dedicated performance in the mysterious magic of the cathedral crypt was already the makings of a wonderful night.
Dunn’s Sentimental Drifting Music did exactly what it said on the tin, but thanks to his skills as composer never drifted into new age cliches. Moments of completed “cadences” would fall away while the crypt rang out with the lingering tones.
Lamb’s Parallaxis Forma had the joy of a most professional and profound British premiere, with the star, Lotte Betts-Dean, showing her skills and prowess with the fewest of tones.
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
JAN WOLF enjoys a British revival of the 1972 come of age farce/panto Pippin
WILL STONE witnesses an experimental piano concerto inspired by the work of a young Jewish victim of the Nazis
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family


