MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
Watching Rosie
Original Theatre Online
SHORT plays are catching on at a time when brief snippets of other people’s lives add colour and vigour to enforced domesticity and Watching Rosie — a miniature close-up of life in lockdown — is a little gem.
Written by Louise Coulthard and benefiting from a star cast, it’s a gentle, touching conversation between Rosie and her dementia-prone Gran. While the former is anxious and strained, Gran is coping, in a bemused sort of way, with an enforced lockdown imposed on her by a government who see her as a prime Covid risk.
Only when the doorbell rings and Gran leaps to the door for company, is there a sense of her desperate aloneness, otherwise masked by disconnected chit-chat interspersed with startling moments when her grasp on reality takes a sudden nose-dive.
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
MARY CONWAY is blown away by a flawless production of Lynn Nottage’s exquisite tragedy
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play


