MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
THE golden age of Japanese woodblock printing in the 18th and 19th centuries saw the spread of a highly populist art form, described as Ukiyo-e, “pictures of the floating world.”
Its meaning captures the fleeting, ephemeral pleasures of life — mostly for Japanese men — the theatre, beautiful women, courtesans, folklore stories and the beauty of animals, flowers and plants.
Produced in books, scrolls or as loose sheets, woodblock prints were made and circulated widely throughout Japanese society from the early 1600s right through until the mid-20th century, with some artists still operating with new styles and methods today.
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright


