STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
SARAH is a troubled young woman. Unsure where she fits in, her world is spinning out of control. Happiness would be a kind word from her mum but her mother has other concerns, like how to get Sarah out so she can give her room to her new cat.
An exploration of how the difficulties of modern life can affect a person’s mental well-being, Sarah is written, directed and produced by Stevie Helps, whose previous play Rachel dealt with his own experiences of living with mental health problems and the inadequacy of the support systems.
In this play Helps, a vocal campaigner for mental health rights, examines the pernicious impact of a masculine culture on women but the overarching theme is communication or, more accurately, the lack of it.
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
PAUL FOLEY revels in the coolest, most joyful piece of theatre you’ll get this summer
ROGER McKENZIE draws attention to the much-neglected oral traditions of the global South that define the identity – and therefore the liberation – of its custodians
ANGUS REID recommends that you discover a uniquely intimate community venue in central Edinburgh for an evening of beer and ambitious jazz


