MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
Latest editorial
Going Through Bush Theatre, London
With a unique use of non-verbal language, Going Through tells a moving story of migration
Signing the times: Charmaine Wombwell and Nadia Nadaraja
[Ali Wright]
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
KENNY MacASKILL relishes a fictionalised account of the life and death of the principled Irish anti-colonialist, executed for betraying his English imperial masters
FIONA O’CONNOR admires an ambitious first novel that loosens South Africa’s rainbow collective to examine the racial tensions within
Aussie mining corporation murder, Liverpudlian ex-cop amnesia, a naive vigilante tries to reset capitalism, and the riddle of the dead psychoanalyst
SYLVIA HIKINS is persuaded by an entertaining play that the true miracle of Lourdes would be for attitudes toward disability to change
THE AIM of Paris-based theatre company Hippolyte a mal au coeur is to connect with as many people as possible, particularly those with a hearing impediment, and to develop bilingual productions, initially in French and Sign Language.
Now translated into Spanish and English, and showing across the globe, Estelle Savasta’s play tells the tender story of the relationship between Nour (Charmaine Wombwell) and the profoundly deaf Youmna (Nadia Nadarajah), who communicates through sign language and a wonderful visual expressiveness.
A celebration of women and the profound transference of love from mother to daughter, it charts the progress of one gentle girl as she migrates from her own poverty-stricken country to a land of plenty, crossing borders and keeping hope alive through love.
Similar stories
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
MARY CONWAY is blown away by a flawless production of Lynn Nottage’s exquisite tragedy
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play