DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
Latest editorial
Theatre Review: The Importance of Being Earnest
An off-the-wall reinterpretation of an Oscar Wilde classic comes up trumps
In Earnest: Ayesha Casely-Hayford and Kudzanayi Chiwawa
[Harry Elletson]
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
The Importance of Being Earnest
Tara Theatre, London
PLAYING all nine characters in Oscar Wilde’s best-loved comic drama, Kudzanayi Chiwawa and Ayesha Casely-Hayford take such liberties with its content and structure that one might expect the whole venture to fall apart in a tangled heap.
Yet the play is so lovingly bashed about that it comes through the ordeal with flying colours, as do the pair themselves.
Operating within a minimalist set and dressed only in white T-shirts and black trousers, Chiwawa and Casely-Hayford offer up a deliberately unruly interpretation of Wilde’s farcical goings-on and, in blurring time, space and boundaries, add an extra dimension to the humour already on offer.
Similar stories
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson