DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
Death of a Salesmen
Royal Exchange Theatre, Manchester
MILLIONS of US citizens believe that the their constitution enshrines the right of “every citizen to achieve success and prosperity through hard work, determination and individual initiative.”
But the reality of the American Dream is very different. Achieving it is exclusively for the 1 per cent.
Willy Loman, the poor schmuck at the centre of Arthur Miller’s Death of a Salesman, is determined, works hard and instils in his sons the importance of achieving success. Yet, after 36 years criss-crossing New England trying to sell whatever wares his bosses want sold, his reward is to be reduced to earning his corn through commission only.
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
PAUL FOLEY revels in the coolest, most joyful piece of theatre you’ll get this summer
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht


