CHRIS SEARLE recommends a work of love and deep admiration for a great musician
ONE of the testimonies to how much I love the life I lead as a performance poet and musician is that, barring truly exceptional circumstances, I don’t cancel gigs.
I’ve tottered on stage with a monster temperature, staggered on with a broken leg, wheeled myself on with two knackered hamstrings and performed standing on a wall in a field in Wales after the fascists who attacked the gig had been kicked out by a combination of the audience and the local rugby club and the event closed down by the police. All in a night’s work.
I did cancel a few during my mother’s long and heartbreaking battle with Alzheimer’s but not many — the unbelievable support of my wife enabled us to care for her and me to fulfil most of my bookings as well. It’s a wonderful privilege to earn my living doing what I love and my commitment is total.
The bard tours Finland and tampers with the cuisine
The Bard commutes to work for the first time in 45 years
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
CHRIS SEARLE speaks to Ethiopian vocalist SOFIA JERNBERG


