DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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There's good in everything about this As You Like It
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
As You Like It
Regents Park Open Air Theatre, London
THE SHAME of this wonderful show is that it’s only scheduled until July 28. Joyful, playful and delightfully funny in all the right places, it deserves far greater exposure than just a three-week run.
There are fabulous performances everywhere you look, with a new-age, dreadlocked Maureen Beattie taking full advantage of her role as the wise, curmudgeonly Jaques and Danny Kirrane and Amy Booth-Steel playing the overwrought lovers Touchstone and Audrey to great comic effect.
Edward Hogg is excellent as an irretrievably lovelorn, idealistic Orlando and Me’sha Bryan is an alluring, sweet-voiced focal point for the musical interludes, well directed and arranged by Phil Bateman.
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