CHRIS SEARLE recommends a work of love and deep admiration for a great musician
Actually
Trafalgar Studios
ANNA ZIEGLER’S topical two-hander, employing a series of interwoven monologues, revolves around Princeton freshmen students and an accusation of rape brought before a university panel.
Yasmin Page’s insecure yet effervescent Jewish undergraduate, Amber, with a brief unsatisfactory sexual history, tries to overcome her awkwardness and fit in during the drink-fuelled weeks of the fresher’s party world.
Simon Manyonda’s sexually confident Tom, a black student from a low-achieving family, is also trying to come to terms with his strange, new reality in the extended, alcoholic induction to college life.
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship


