MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
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Flawed analysis of Germany’s imperialist intent
John Moore reviews The Fourth Reich? by Sarah Moore
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
The missing sister, the vengeful WAG, cruise ship claustrophobia, and reanimated Avengers
Three great releases of lost concerts by Duke Ellington Orchestra, John Taylor & Stan Sulzman, and Joe Henderson
To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
The Fourth Reich? by Sarah Moore (Jollies Publishing, £10.50)
IN THIS book, Sarah Moore argues that Germany started the first world war by continuing the pattern of invasion of neighbouring countries set by Bismarck in the 19th century.
While that perception of the German militaristic tradition is true, it’s only half the story, a charge that could be levelled at a number of the theses propounded by Moore in The Fourth Reich.
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