MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
The Tempest
The Royal Shakespeare Theatre
Stratford-Upon-Avon
4/5
AT THE end of his career Shakespeare, ever the innovator, took on the contemporary development of the masque as popular entertainment.
With its focus on visual and musical impact, the form lends itself to The Tempest’s mixture of magic and philosophy, with the thematic opposition of nature versus nurture largely replacing dramatic tension.
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity


