CHRIS SEARLE recommends a work of love and deep admiration for a great musician
THEATRE
GORDON PARSONS
A POWERFUL production of Eugene O’Neill’s epic family drama Long Day’s Journey into Night at Bristol Old Vic brought home the playwright’s description of a work written in “tears and blood.”
For once, the play did not focus primarily on the frustration of James Tyrone, with Jeremy Irons’s modulated performance conveying the guilt-ridden desperation of dealing with his damaged family. It allowed Lesley Manville’s Mary Tyrone, agonisingly escaping further into her drug-tortured dreams, to register the play’s dramatic tension.
CHRIS SEARLE recommends a new album featuring Pat Thomas and Ahmed, and marvels at the tempestuous power of a live performance
Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play
GORDON PARSONS joins a standing ovation for a brilliant production that fuses Shakespeare’s tragedy with Radiohead's music


