MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
museum island
Sophie Robinson
it’s the last week of my twenties so why
should i care what the weather does the weather
doesn’t give a shit about me you said
all of this is me shedding my skin before i take
a turn i imagine myself on the dance floor
of the themed party you won’t throw me o there
goes that brat again she’s in her twenties
but really this year feels more like i’m throwing
up history & sometimes my life
is too hot to stand up straight in & i want
to run red leggéd down the stairs but i can’t
get out of this tub just wheel
myself from place to place crying & slippery
& a bad thing to look at how strange & crappy
for you to have to live with my face so often
when for me it’s something i glimpse & shed
like a t shirt or to have to hear me at night
in your ear voice higher & sadder than i
imagined it to be i do whine like a dog
whenever you go & you do seem always
to be going keys smashing
on the concrete on the wrong side
of the door all of this living & waking
is so unbearable can’t find the cold tap
& sleeping feels like drowning
today the light plays us off
against each other your head’s a halo
& i’m all in shadow & as i slip
into & under the night like a sheet
of paper i will see your face your mouth
opening a great neon silent O
& tomorrow will wake up gasping
wretch white wine into the sink then go
to the nasjonalmuseet & stare at 400 years
of paintings of mountains & midnight sunlight
& buy you a postcard
with a photograph of a bum on it
because i want you to know
i love you
& i am trying to tell you something
& i miss your screaming light
The Bard does Bearded Theory, and lodges a complaint about bandnames
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
by Widad Nabi


