MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
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Film round up
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
The missing sister, the vengeful WAG, cruise ship claustrophobia, and reanimated Avengers
Three great releases of lost concerts by Duke Ellington Orchestra, John Taylor & Stan Sulzman, and Joe Henderson
To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
Sicario (15)
Directed by Dennis Villeneuve
4/5
WHEN you learn from the opening credits that “sicario” is Mexican drug-cartel slang for “hitman,” your heart might sink at the prospect of yet another US lawmen versus murderous Mexican narcotics gangsters action thriller.
Fortuitously, such expectations are unfounded. Unsentimental direction and a cynical but terrifyingly credible screenplay by Taylor Sheridan and ideally cast players are free from the predictably patronising narrative and character cliches of similar genre thrillers.
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LEO BOIX, ANGUS REID and MARIA DUARTE review Night Stage, Two Women, Kim Novak’s Vertigo, and Fuze
DAVID RABY explains the background of the recent upheavals in Mexico
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
ED RAMPELL is disappointed by the confusing results of embedding cameras amid a Ukranian platoon