PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
Filth (18)
Directed by Jon S Baird
Four stars
James Macavoy provides a real tour-de-force performance in this uncompromising adaptation of Irvine Welsh's controversial novel Filth.
Playing detective sergeant Bruce Robertson, he's a misanthropic megalomaniac seeking promotion who's addicted to everything from drink and drugs to sex.
He's in a state, it seems, because his wife has left with his daughter, who often appears as a fantasy figure along with the ghost of his younger brother.
You might imagine this is set in the Sweeney era, given there's rarely a response to his bigotry and brutalising of colleagues and crooks - until he becomes a liability.
His competitors are presented as caricatures, from the goose-stepping nazi, the "Jessie" and "lesbian," to the eager-beaver junior officer played by Jamie Bell.
Ostensibly, they're supposed to be seeking the killer of a Chinese lad but that plotline always plays second fiddle to Robertson's hell-raising even in exotic places like Hamburg.
There's an array of great British actors like Imogen Poots, Shirley Henderson, Eddie Marsden on display and Jim Broadbent gives us an eccentric shrink.
Not for those with a delicate disposition.
JEFF SAWTELL
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
The book feels like a writer working within his limits and not breaking any new ground, believes KEN COCKBURN
MARIA DUARTE and ANGUS REID review Friendship, Four Letters of Love, Tin Soldier and The Ballad of Suzanne Cesaire
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright


