PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
Among the eye-catching world premieres at this year's New York film festival was the opening night screening Captain Phillips from British filmmaker Paul Greengrass, based on the true story of the captain of a cargo ship taken hostage by Somali pirates.
Suspensful and satisfyingly complex, it's an an exceptional action thriller which takes a look at the politics of power and the fate of “the wretched of the earth.”
A Touch Of Sin is a harrowing, multi-layered drama about life, death and the wages of capitalism in China from director Jia Zhangke and Omar, the latest from Palestinian director Hany Abu-Assad, is a tense thriller about the daily challenges of love, friendship and ideology in the occupied territories. Other premieres of note included Claude Lanzmann’s The Last Of The Unjust about the fate of the Jewish inhabitants of the Theresienstadt ghetto in Czechoslovakia during WWII and Frederick Wiseman’s At Berkeley an engrossing though lengthy inquiry into the troubled US academic institution.
ANDY HEDGECOCK is astonished by a portrait of contemporary Greece, complete with political protest, organised crime and people trafficking, told from the point of view of — wait for it — runaway poultry
GEOFF BOTTOMS recommends an inspiring, political and bittersweet account of the munitions factory workers who are the fore-runners of the modern women’s game
LEO BOIX, ANDY HEDGECOCK and MARIA DUARTE review Dreamers, It Was Just An Accident, Folktales, and Eternity
RITA DI SANTO gives us a first look at some extraordinary new films that examine outsiders, migrants, belonging and social abuse


