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Biting Brecht revival from Graeae
The Threepenny Opera — Birmingham Repertory Theatre, reviewed by GORDON PARSONS

Faced with a ragged, blood-red front-of-house curtain and the auditorium walls festooned with banners proclaiming such contemporary messages as “Keep your filthy tax out of my bedroom” and

“Hi-ho, back on the dole” the audience know immediately that this is no chocolate-box revival of Bertolt Brecht’s scabrously seductive 1928 triumph.

The pioneering Graeae theatre company, with their characteristic integration of disabled actors into productions incorporating sign language and audio description, bring a sharp edge of reality to this spoof portrayal of the jolly life of criminal folk. As they do so, they mirror the manners and morals of the “respectable” Establishment.

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