PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
3/5
It is not all that surprising that Shakespeare’s early play, possibly his first, has not been produced on Stratford’s main stage for 45 years.
This apprentice exercise in romantic comedy poses particular difficulties for any director. The first half of this tale of youthful love and betrayal is full of tortuous word play leaving most of the audience, as one woman commented in the interval, struggling but “getting the gist.”
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity


