STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
Uprising,
Usher Hall, Edinburgh
ONE of the saddest things about my Friday night watching the opera Uprising at the Usher Hall with the RSNO, was that the auditorium was barely half full. It was fitting considering the theme that the planet is dying and not enough people are listening.
Uprising is the work of composer Jonathan Dove. It is the story of a young teen, Lola (Ffion Edwards), who, like many young people today, is disturbed by the climate disaster we are facing. She stops wanting to go to school. What is the point if there is no future?
DAVID NICHOLSON recommends the staging of this Wagnerian classic minus one or two insignificant quibbles
Gisele Pelicot said ‘shame must change sides.’ We may think we agree, but, argues LOUISE RAW, society still has some way to go
WILL STONE witnesses an experimental piano concerto inspired by the work of a young Jewish victim of the Nazis
DAVID NICHOLSON is thrilled – and shocked – by an opera that seethes and sizzles with passion and the depraved use of power


