MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
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Cold comfort farm
MARIA DUARTE sees a drama about a fraught rural family that's raw, visceral and relentlessly bleak
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
KENNY MacASKILL relishes a fictionalised account of the life and death of the principled Irish anti-colonialist, executed for betraying his English imperial masters
FIONA O’CONNOR admires an ambitious first novel that loosens South Africa’s rainbow collective to examine the racial tensions within
Aussie mining corporation murder, Liverpudlian ex-cop amnesia, a naive vigilante tries to reset capitalism, and the riddle of the dead psychoanalyst
SYLVIA HIKINS is persuaded by an entertaining play that the true miracle of Lourdes would be for attitudes toward disability to change
Dark River (15)
Directed by Clio Barnard
AFTER the evocative The Arbor and The Selfish Giant, Clio Barnard returns with a searing and grim Yorkshire drama about sibling rivalry, the effects of child abuse and burying the past, juxtaposed with a rural community in decline.
Inspired by Rose Tremain's novel Trespass, it stars the outstanding Ruth Wilson as Alice, a contract sheep shearer. Following the death of her father (Sean Bean), she returns to the family farm on the Yorkshire Dales for the first time in 15 years to claim the tenancy she believes is rightfully hers.
Her older brother Joe (Mark Stanley) is furious because he has been the one managing the farm in the meantime — and running it into the ground — while taking care of their dying father.
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