CHRIS SEARLE recommends a work of love and deep admiration for a great musician
OH, THE irony. An exhibition of paintings criticised 34 years ago in a newspaper editorial as “smut not art” is now on show in the very building where that editorial was written and printed.
What’s The Meaning of This?, John Yeadon's “selective retrospective” at the Coventry Evening Telegraph Building marks his reaching 70 and it also looks back at what may or may not have changed over the years. Is society more tolerant and open-minded, is Coventry more enlightened and less provincial? he asks.
The front page story of 1984 in which a Tory councillor raged against Dirty Tricks, an exhibition of Yeadon’s paintings, as “overtly pornographic” is on show alongside an editorial. It was at what Yeadon calls the high point of Aids paranoia and “gay blame” and he describes the works as allegorical grotesque realist paintings.
MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
The once beating heart of British journalism was undone by technological change, union battles and Murdoch’s 1986 Wapping coup – leaving London the only major capital without a press club, says TIM GOPSILL
The Bard commutes to work for the first time in 45 years


