MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
The Dresser
Duke of York’s Theatre, London WC2
4/5
SUBTLY directed by Sean Foley, The Dresser comes across as a fascinating blend of fiction and reality in this intriguing revival.
And Ronald Harwood’s fine play about the backstage power dynamics of an actor and his minions has Ken Stott — TV’s Rebus — giving a stunning performance as the waning protagonist, the Shakespearean “Sir.”
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship


