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“I WANT to change the world, I want to strike the spark or kick the pebble that will start the fire or the avalanche that will change the world a little.”
Thus US poet Fred Voss, who yearns for that transformation because of the dire situation of the working class in the US, where real wages have stagnated or declined for decades and huge inequalities between rich and poor are spiralling.
The top 1 per cent of the US population own 35 per cent of the wealth and bonuses for bankers on Wall Street are more than double the total annual pay of all Americans on the federal minimum wage.
Against a background of deindustrialisation and the loss of jobs overseas, there is mass incarceration of males, police violence on black youth and attacks on trade unions and on the social safety net.
The outrageous consequence of this divisive class war by rich elites is that mortality rates amongst white working-class Americans are getting worse. Workers are dying early from obesity, drugs, drink, violence and suicide.
It’s happening because the powerful ruling class in the US, running the richest and most powerful country in world history, needs a workforce less than ever before. Many workers are either on the economic scrapheap or on their way there.
There are simply not enough jobs for them and the few jobs around are increasingly badly paid.
Most Americans are struggling to cope with the legalised robbery of their labour and their health, wealth and happiness.
And many of them are expressing their desperation through support for the racist and sexist politics of Donald Trump.
To help the cultural struggle against similar trends here the website Culture Matters, supported by Unite the Union — the main representative of metalworkers in Britain and Ireland — is jointly publishing Voss’s new booklet of poems The Earth and the Stars in the Palm of Our Hand with Manifesto Press.
Voss has worked in machine shops for over 30 years. He writes about being hired like a commodity by overbearing bosses and about alienation in workplaces dominated by fear, macho posturing and competition.
But there is a vision in the poems of how different things could be. Gradually, the potential for human solidarity emerges, for combining the practical muscle and skill of working men with the political and emotional strength and determination of women like Rosa Parks.
Like William Blake, Voss combines the precision and realism born of years of skilled craftworking with a sweeping, lyrical imagination. And, like Blake, his poetic vision springs from years of reflection on work and the working class and on the oppressive — but alterable — realities of the world around him. “Britain, Ireland and many other capitalist countries in Europe are becoming more like the US,” Unite general secretary Len McCluskey says in the foreword to the collection in which he explains why the union is backing its publication.
“Everyone can see the growing inequality, the precarious and low-paid nature of employment, the housing crisis across the country, the divisions and inequalities between social classes, the health problems and the sheer everyday struggle to pay the bills for many working people.”
In this situation, Voss is akin to a prophet. He warns us of the consequences of the way we live, tells truth to power and inspires us with a positive vision of a possible — and desirable — socialist future.
The Earth and the Stars in the Palm of Our Hand will be published at the end of the month, price £5.99 plus p&p, with discounts for trade unions and bulk and trade purchasers. Enquiries and pre-publication orders: [email protected]. The Culture Matters website is at culturematters.org.uk/culture