PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
Faustaff: The Mockery
of the Soul
Cockpit Theatre, London NW8
3/5
LIKE Punch and Judy in 16th-century England, Faust and Mephistopheles shows in Germany originated in the commedia dell’arte.
They were a blunt comedic instrument, poking ridicule at Faust and his association with the Devil.
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
DAVID NICHOLSON is thrilled – and shocked – by an opera that seethes and sizzles with passion and the depraved use of power


