PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
YOU might think that the mind-boggling postulates currently exercising the finest scientific minds concerning the quantum multiverse theory might not be the stuff of red-blooded theatrical engagement.
You’d be wrong, though, because Constellations by Nick Payne is a wholly engaging and thought-provoking dramatic conceit.
It explores the possibility that we may all be inhabiting only one of many universes and poses the question “what if?” in a rom com, originally produced at the Royal Court, which has unusual intellectual rigour.
In it beekeeper Roland (Joe Armstrong) hooks up with cosmologist Marianne (Louise Brealey) at a barbecue and, in a subsequent series of short and often witty scenes, the alternative directions their ensuing relationship might take, from the first flush of passion through separation and a possible reconciliation — the latter underpinned by personal tragedy — is explored from radically different perspectives.
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship


