MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
No’s Knife
The Old Vic, London SE1
2/5
ACCOMPLISHED Samuel Beckett actress Lisa Dwan scales the heights of ambition by interpreting the great playwright’s Texts For Nothing, a selection of prose works never intended for the stage.
Delivering them in a four-part, 70-minute monologue with no interval, Dwan is first seen trapped in the crevice of a rock face before prowling around a wasteland and then perching herself on high, as if encased in a birdcage.
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today


