MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
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Passionate flight of fancy from Kneehigh
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
The missing sister, the vengeful WAG, cruise ship claustrophobia, and reanimated Avengers
Three great releases of lost concerts by Duke Ellington Orchestra, John Taylor & Stan Sulzman, and Joe Henderson
To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
The Flying Lovers of Vitebsk
Sam Wanamaker Playhouse
London SE1/Touring
4/5
KNEEHIGH’S spellbinding production is a fitting contribution to artistic director Emma Rice’s inaugural “wonder” season at the Globe.
Focusing on the lives of artist Mark Chagall and his wife Bella, Daniel Jamieson’s play charts their romantic relationship and their extraordinary journey through the Russia and Europe of the early 20th century.
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GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
This is a concert of ambition and courage by organist and improviser Wayne Marshall, says SIMON DUFF