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New releases from Shearwater, Florry, and Navy Blue
Storming adaptation of The Tempest from Margaret Atwood
CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists
In verse and polemic, the bard points out that he is a poet and musician, not a political party
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
Hag-Seed
by Margaret Atwood
(Penguin, £16.99)
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GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
GORDON PARSONS is intrigued by a biography of the Marxist intellectual and author, made from the point of view of his son
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying