DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
Speed
Holloway Theatre
A STAGGERING 1.5 million drivers attend retraining courses every year in the UK, making this widespread educational experience an ideal vehicle for dramatic exploration. Enter Mohamed-Zain Dada’s Speed, where three British-Pakistani motorists find themselves inducted into the DVLA’s new pilot scheme, the Rehabilitating and Unlearning National Driving Initiative or RUNDI for short.
Three drivers, all with nine points on their licence, find themselves in the volatile hands of facilitator Abz (Nikesh Patel). Faiza (Shazia Nicholls) is a well-to-do Surrey business lady; Samir (Arian Nik), a laddish delivery driver from H-Town (Harehills) in Leeds and Harleen (Sabrina Sandhu), a Brummie nurse whose heavy workload is taking its toll.
Things get off to a breakneck, hilarious start as the contrasting course mates are introduced to the personality awareness model, the Johari Window – definitely not “the Jihadi window” the spunky Samir deliberately mistakes it for. Abz struggles to keep things on the straight and narrow as the laughs continue to flow and tumbling revelations begin to take a darker edge.
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
MAYER WAKEFIELD has reservations about a two-handed theatrical homage to jazz’s most mercurial musician
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
MAYER WAKEFIELD relishes a witty and uplifting rallying cry for unity, which highlights the erasure of queer women


