The recent heatwaves revealed how ill-prepared Britain remains for a hotter future – and how unequal the ability to cope with it has become, write ROX MIDDLETON, LIAM SHAW and MIRIAM GAUNTLETT
THE NME, once the Accordion Times and Musical Express, then the New Musical Express, is changing. The weekly publication, which currently sells about 15,000 copies, will be distributed free at train stations, shops and student unions around the country. Its content will expand to cover film, fashion, TV, politics and gaming.
Few believe that that it will last long, even if it outlived its rivals Sounds and Melody Maker. The title, once full of critical reviews and good writing, is likely to become another freesheet repository for slick self-serving PR handouts.
It is just one more indication that the world of popular music, always a battle between those who want to make music and those who just want to make money, has suffered another setback.
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
TONY BURKE talks to Garth Cartwright author of Princes Amongst Men — Journeys With Romani Gypsy Musicians
WILL STONE fact-checks the colourful life of Ozzy Osbourne
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo


