Skip to main content
Modish Macbeth loses the plot

Macbeth
Young Vic Theatre, London SE1
2/5

THE accent in this contemporised version of Macbeth is very much on the physical, with movement and dance sequences backed by repetitive techno music linking scenes, creating mood and tension and defining characters.

In the process, the role of the actors in interpreting Shakespeare’s disturbing tragedy is lessened in Carrie Cracknell’s staging and Lucy Guerin’s choreography. 

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
Similar stories
venus and adonis
Theatre Review / 23 June 2026
23 June 2026

GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem

broken glass
Theatre review / 5 March 2026
5 March 2026

MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht

arcadia
Theatre Review / 11 February 2026
11 February 2026

MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class

spy who
Theatre Review / 7 January 2026
7 January 2026

PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying