PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
Macbeth
Young Vic Theatre, London SE1
2/5
THE accent in this contemporised version of Macbeth is very much on the physical, with movement and dance sequences backed by repetitive techno music linking scenes, creating mood and tension and defining characters.
In the process, the role of the actors in interpreting Shakespeare’s disturbing tragedy is lessened in Carrie Cracknell’s staging and Lucy Guerin’s choreography.
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying


