MICHAL BONCZA recommends a minimalist installation that prompts intriguing connotations
CONGRATS to organiser Matt Panesh and the team at the Morecambe Poetry Festival which took place a couple of weeks ago. I am proud to have performed at all three annual shindigs (the right word!) they’ve put on so far and it’s by far the best poetry festival I’ve ever been invited to, which is saying something since I’ve done hundreds in the past 44 years. It’s utterly brilliant. Here’s why:
- Every featured poet has material which is accessible and in the widest possible sense relevant to everyday human experience;
- Every featured poet is capable of delivering their work audibly, addressing the audience rather than their own feet, and, if under the influence of alcohol, imbibed at a level which aids their performance rather than turning it into a total shambles;
In verse and polemic, the bard points out that he is a poet and musician, not a political party
The bard tours Finland and tampers with the cuisine
The Bard commutes to work for the first time in 45 years
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family


