IT’S no surprise that, for its first ever revival of a classic, the Yard has gone with The Crucible.

Though based on real events in Salem, Massachusetts, at the end of the 17th century, it’s got everything in terms of contemporary relevance — witch-hunts, fake news and fiendish women in a town brought to its knees by rumour and suspicion. So perhaps it’s not such a daring move for anyone hoping to connect with a 2019 audience.

This production certainly goes the extra mile to do so and to underscore the universality, all characters in the programme are listed as a witch. The stage is full of front-facing chairs bearing their names and, as “A note about history” appears on a screen, the cast enter in modern dress to take their seats.