New releases from Joe Wilkes, Honey and the Bear, and Hannah James and Toby Kuhn
RECENTLY unearthed in their original crumbling box in the archives of the Liverpool John Moores University library, the set of anti-nazi photomontage posters by John Heartfield, dating from the 1930s, are a rare and timely find.
Scathingly satirical artworks against war and fascism, they go on show from November 1 at Four Corners in London’s East End in a period when the threat of the far right in Britain, Europe and the US is greater than it has been for generations.
A pioneer of German agitprop and an early member of the Berlin Dada group, Heartfield was a commited communist who during the period of Hitler’s rise invented the techniques of photomontage to produce devastating poster work.
On the day of the election, MARTIN GOLLAN reflects on the perennial relationship between the far-right and the back-hander
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
FRANCIS BECKETT introduces his new play that aims to give its audience a taste of what a far-right triumph would be
NICK MATTHEWS previews a landmark book launch taking place in Leicester next weekend


