MICHAL BONCZA recommends a minimalist installation that prompts intriguing connotations
THE brilliantly original Bristol-born pianist, Keith Tippett, has been cutting extraordinary albums since his first, You Are Here… I Am There in 1969 when he was 22. So the reissue of his neglected 1979 classic solo album The Unlonely Raindancer is a significant jazz moment.
It was recorded during a 1979 tour of the Netherlands. I asked him about his pathfinding life in music, and the now-times relevance of the record.
“My parents met in the war. My dad became a policeman and my mum was southern Irish and a housewife. At home I heard all kinds of music — western classical, church choral and brass bands. My grandad lived with us and played piano with a beautiful touch. I began to learn when I was six or seven years old.
CHRIS SEARLE speaks to US saxophonist CAROLINE KRAABEL
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
CHRIS SEARLE recommends a new album featuring Pat Thomas and Ahmed, and marvels at the tempestuous power of a live performance
CHRIS SEARLE speaks to Filipino-US saxophonist JON IRABAGON about the threat of AI in the time of Musk and Trump, and how an artist can respond


