Skip to main content
Pretty in Pink
Masterful poems reveal revolutionary potential in women’s experience
FINGER ON THE PULSE: Ruth Aylett

RUTH AYLETT’S new collection Pretty in Pink is written in a “fury of hope” for the political coming of age of a new generation shorn of patriarchy and gender stereotypes.

And there is no doubt where her loyalties lie. She summons the presence of the murdered Rosa Luxemburg: “I was,” says the revolutionary. “I am. I will be.”

At the book’s centre is the poem The Chosen One — Sestina for a Lost Child, which tests the expressive power of words to the limit. Within its dreamy meditative structure — a free-form mantra — she appears to grieve the miscarriage of a child: “a red life leaves/the body, a not-yet-child.”

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
Similar stories
boix
Literature / 22 June 2026
22 June 2026

From post-human revolution in Puerto Rico to trans poetics and queer mythmaking, these three books that imagine new ways of being together

bounds
Poetry review / 18 March 2026
18 March 2026

ALAN MORRISON recommends a consummate, heart-warming collection about a working-class upbringing in the industrial north-east

arnolfini
Exhibition review / 3 March 2026
3 March 2026

SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective

boix
Letters from Latin America / 23 September 2025
23 September 2025

A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin