ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
DOCUMENTING the rapidly changing look and feel of an increasingly privatised and enclosed contemporary London, Savage Messiah was a pre-digital cut-and-paste fanzine of monochrome photographs, text and illustration.
Part-graphic novel, part-artwork, it described life through the eyes of a young woman in the capital during the early 1990s.
CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
Gin Lane by William Hogarth is a critique of 18th-century London’s growing funeral trade, posits DAN O’BRIEN
MIKE COWLEY welcomes half a century of remarkable work, that begins before the Greens and invites a connection to — and not a division from — nature
ANDREW FILMER welcomes the reopening of Glasgow’s landmark theatre after a seven-year transformation


